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OUTUBRO (live at suoni migranti)

by BEVINDA

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  • Compact Disc (CD) + Digital Album

    IT COMES AS A 4 PAGES DIGIPACK, INSIDE BEAUTIFUL PHOTO OF THE SINGER,

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  • Full Digital Discography

    33
    releases

    Get all 33 WORLD FUSION releases available on Bandcamp and save 25%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of MOTHER AFRIKA, LA VIDA FIN FINALA, STRANGE PEOPLE (klezmer Portuguese style), Melech Mechaya, AURORA, OSMOSI, RADICAL RAPTORS, TRALLALERO LEVANTIN, and 25 more. , and , .

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1.
A PUNTA 04:38
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2.
ILHA 03:58
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3.
ESTRADA N.4 06:12
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4.
DORME AMORZINHO 06:17
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5.
O GRITO 04:19
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6.
MULHER PASSARO 04:37
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7.
LIBERTACAO 06:05
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8.
JARKOT 04:43
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9.
PEDRAS DA MADRUGADA 03:50
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10.
OUTUBRO 04:07
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11.
MULTIDOES 05:22
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12.
FELICIDADE 08:22
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about

Fado and its history have always been embodied by exceptional female interpreters with extremely strong personalities. One vocalist who has undoubtedly played an important role in the recent and somewhat unexpected renaissance of the genre is BEVINDA, commonly held to be the greatest “fado exile” partly on account of her early move to Paris but mainly for the different outside influences she has managed to insinuate into the tradition, modifications which have helped to save it from stale repetition.

Outubro is BÉVINDA’s tenth album in what has already been a remarkable artistic career, a live recording of a concert the singer gave in Riccione in January 2006 as part of the Suoni migranti festival. She’s accompaned here by an excellent band (Philippe de Sousa on Portuguese guitar, Mathias Duplessy on classical guitar, Philippe Foch on tablas and percussion, Nicolas Gorge on drums, Côme Aguiar on bass) responsive to her every move and twist of invention. As well as being a great vocalist, BEVINDA is also a talented songstress in her own right. All but two of the songs in the set (O grito di Amalia Rodrigues and Carlos Gonçalves, and Multidoes inspired by Charles Baudelaire) are her own work, often written in collaboration with members of her band. The songs are solidly constructed yet easily accessible, dynamic in their development and profound in lyrical content, and go beyond the classical fado style through the introduction of sounds from the Mediterranean region (Spain and Greece in particular) and places as far as distant India, interweaving a variety of musical paths into a uniquely satisfying whole. Outubro beneifits greatly from its live setting and the brio BEVINDA and her band bring to the whole performance once more confirm the originality of a singer-songwriter whose star is very definitely in the ascendant.

credits

released January 1, 2007

Philippe de Sousa guitare portugaise
Mathias Duplessy: guitare classique
Philippe Foch tablas, percussions
Nicolas Gorge batterie
Côme Aguiar bass
Bévinda Ferreire chant
Benoit Destriau son de scène

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WORLD FUSION Turin, Italy

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